The
protagonist in Alfred Camus’s The Stranger
undergoes a gradual transformation where he, Mersault, eventually realizes
that the external world is against him. The whole concept of Absurdism applies
concretely with Mersault’s realization once he starts to blame the outside
world for his crimes and suffering. Since Mersault is aware of the world’s hostility,
he manages to reflect upon this by saying “Throughout the whole absurd life [he’d]
lived, a dark wind had been rising toward [him] from somewhere deep in my
future […] this wind leveled whatever was offered to [him] at the time, in
years no more real than the ones I was living” (Camus 121). Mersault claims
that nothing in life has a purpose, and his opinionated claim supports the
ideals of Absurdism in the way that his indifference is clearly recognizable by
other characters within the novel. In support of this claim, he reasons out
that what would be marriage with Marie would be insignificant, the passing away
of Maman is insignificant, and that any future events would be insignificant to
him. Despite the unreasonable opinion, he makes a stretch by stating that “As if
that blind rage had washed [him] clean, rid me of hope; for the first time, in
that night alive with sign and stars, [he] opened [him]self to the gentle
indifference of the world” (122). Mersault purges himself of all the
frustration the world has poured on him and takes advantage of the time where
he is able to subside in bliss prior to his execution. This moment connects to
the protagonist in the motion picture Gattaca¸
where the protagonist finally overcomes his difference and fulfills his dreams
by being able to go to space in bliss despite of his terminal illness. In The Stranger, Mersault opens up to his
indifference to the world in hopes of relinquishing his continuous frustration
with the world.
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