Albert
Camus’s The Stranger actively engages
the principles of Absurdism through Salamano’s interaction with Mersault. The absurd
is born out of the confrontation between human need and the unreasonable
silence of the world. Absurdism correlates with Existentialism, where this
philosophy is marked by a set of themes about the human conditions, struggles,
and freedoms that humans must endure or embrace. The interaction between
Mersault and Salamano explicates an example of Absurdism and Existentialism
where Mersault describes that “Every night and every morning after the dog had
gotten that skin disease, Salamano rubbed him with ointment. But according to
him, the dog’s real sickness was old age, and there’s no cure for old age”
(Camus 45). Salamano’s belief towards his dog’s skin disease suggests that no
matter how he attempts to cure his dog, Salamano will not be able to. According
to Absurdism, the universe will never truly care for humanity the way we truly
want it to. Salamano wishes that the dog’s deterioration is caused by the
disease, but instead, Salamano overcomes this fact to accept the tragedy: “the
dog’s real sickness was old age, and there’s no cure for old age”. As much as
Salamano desires for a simple solution, Absurdism takes its part by confronting
Salamano with the unchangeable care for humanity and its desires.
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