Thursday, May 2, 2013

Sirens Practice AP Essay


            Both passages deal with the deathly temptation Sirens portray; however, the first passage portrays Sirens as a protagonist struggling with himself in order to resist a temptation whereas the second passage recollects the seductiveness of temptation from a Siren’s point of view.   
            Sirens are mythological creatures whose sole purpose is to seduce sailors at sea. The first passage portrays Sirens as dangerous creatures. The fact that the speaker “stopped the ears of [his] comrades one by one” (Homer 7) and is “lashed by ropes to the mast” (Homer 9) demonstrates the sailor approaching the island in a cautious manner. By approaching the Siren’s island this way, the sailors, including the speaker, brace themselves to the power of seduction and temptation. The speaker even goes to the extreme of tying himself to the mast in order to prevent the Siren’s seductive song to force him to escape. The purpose of the speaker tied to the mast is so that he is physically constrained from escaping and being tempted to the Sirens’ call. Contrastingly, the second passage portrays Sirens by illustrating a first-person account of a Siren’s seductive nature rather than demonstrating a visual example to a Siren’s deadly shrill.
            The second passage illustrates a first-person account in order to visualize the harmful natures of seduction and temptation. Lines 10-27 of the second passage portray Sirens from a viewpoint of a Siren itself; by doing so, Atwood is able to accurately describe the origin of a Siren’s motive behind their seductive song. As the poem progresses, the seduction exponentially increases until the end, where the speaker states, “Alas / it is a boring song / but it works every time” (Atwood 25-27). The fact a Siren’s song “works every time” suggests the unavoidable seductiveness Sirens portray to sailors lost at sea. By proposing the question, “Shall I tell you the secret / and if I do, will you get me / out of this bird suit?” (Atwood 10-13), the speaker initiates a seductive call to an audience, which is similar to how a lost sailor manages to hear a Siren in the distance. Throughout the poem, the speaker increasingly seduces its audience to think that the speaker actually is calling for help. Similarly, a Siren will continuously call for help and call for an individual that has unfortunately seduced into temptation.
            Both passages tap into how Sirens are capable of being inescapably seductive. However, there is a clear distinction between the two; the first passage reflects upon a story in the Odyssey¸ an epic poem, and the second passage reflects upon a first-person recollection of a Siren’s inevitable call. A siren’s call is based on how temptation and resistance coincide with each other. Both passages portray how Sirens are discreetly dangerous. Though the two passages approach the portrayal of Sirens in different ways, the concepts of temptation and seductiveness are still achieved.
            

Wednesday, May 1, 2013

P&P #9 Analysis


            Jane Austen deliberately shifts Elizabeth’s character from the beginning of the novel to the point where she visits Darcy’s estate. Originally, she views Darcy as an “arrogant” man and perceives him as dislikable in society; however, she begins to realize that she has simply misunderstood Darcy’s character as a whole. What begins to convince Elizabeth that Darcy is a good man after all is the fact that he has specifically set up rooms to please his sister, Georgiana. After she encounters Darcy at the entrance, Elizabeth’s thoughts begin to race as she wonders what Darcy has been thinking ever since his absence in Longborough. Coming from a person who is sincerely pragmatic, Elizabeth rationalizes to herself that Mr. Darcy’s change of mood could be based off her comments during their random interaction at the estate. Elizabeth also realizes that, unlike her previous misconception, the people around Darcy’s estate favor his character. Contrastingly, Darcy is unfavorable in Longborough, and it is this misconception that has followed Elizabeth for the duration of the novel. Also, the fact that Mr. Darcy continuously denies to talk unfavorably to Elizabeth shows his affection towards her, which ultimately influences Elizabeth to consider Darcy’s affection. Despite Miss Bingley’s constant dislike towards Elizabeth and the Bennets, Elizabeth and Darcy manage to indirectly appreciate each other. 

P&P #8 Analysis


            Both Jane and Elizabeth experience an emotional decline when their realizations of marriage continuously diminish. Elizabeth has shown interest in Mr. Wickham, however, his relation with Mr. Darcy skews creates a cognitive dissonance: she originally admires him, but she questions whether or not she should reveal Wickham’s unpleasant character. Similarly, Jane still shows affection for Mr. Bingley even he leaves Longborough. He decides to leave Jane for another woman, and that action should spark jealousy or hatred; but to Jane, she still regards Mr. Bingley with affection. Also, Elizabeth is upset with her good friend, Charlotte, being able to inherit the estate at Longborough once Mr. Bennet passes away. Elizabeth talks favorable of Mr. Darcy and Colonel Fitzwilliam as a form of abhorring Mr. Wickham’s disdainful personality. As a result, Wickham is enraged. Evidently, both Elizabeth and Jane experience downfalls in relationships with men in society. They both cope with their relationships declining by rationally approaching their problem rather than emotionally reacting. However, Elizabeth approaches emotionally when she attempts to deceive Mr. Wickham into thinking that she shows affection for both Mr. Darcy and Colonel Fitzwilliam.